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Artistic Makeup

Adds makeup to your face: lips, blush, brows, eyeshadow, eyeliner, lashes, freckles and highlighter. Ask for a natural look or a bold artistic one, and name the colors you want.

Faces & Beauty

Makeup, retouch, skin, brows, and all the little touches that make a face pop.

Made with this block

Inputs

eyeshadowVariationint

variation of the eyeshadow shape:

9 values
0
No eyeshadows at all
1
Eyeshadow is applied across the mobile eyelid up to the crease with soft diffusion upward for a smooth transition toward the brow area. Color 1 is placed mainly across the central area of the eyelid and slightly into the inner portion, while Color 2 is concentrated in the outer corner and extended outward to create a lifted, elongated shape. Color 2 is also lightly blended along the outer section of the lower lash line to connect the upper and lower areas. Overall blending remains seamless, with no harsh edges, emphasizing an almond-shaped eye and a subtle winged effect.
2
Eyeshadow is applied with a strong graphic emphasis extending beyond the natural eye shape. Color 1 is placed across the inner portion of the mobile eyelid and carried slightly toward the center, sitting close to the lash line and moving upward toward the crease. Color 2 is sharply defined in the outer corner, forming a pronounced wing that extends outward and slightly upward past the outer eye boundary, creating a bold, elongated silhouette. The edges of Color 2 are clean and structured rather than softly diffused, while the overall placement focuses on a lifted, angular eye shape with clear separation between inner and outer areas.
3
Eyeshadow is applied broadly across the mobile eyelid and blended above the crease toward the brow area, creating a soft, rounded shape that follows the natural eye contour. Color 1 covers most of the eyelid surface and extends upward with diffused edges, giving the look an airy, lifted appearance. Color 2 is placed closer to the outer corner near the lash line and subtly pulled outward, adding definition without forming a sharp wing. The overall blending is smooth and seamless, emphasizing a softer, more open eye shape with gentle structure rather than graphic lines.
4
Eyeshadow is applied to create a balanced mix of softness and definition. Color 1 is placed across the mobile eyelid, spanning from the inner area through the center and slightly above the crease, with smooth diffusion that follows the natural eye contour. Color 2 is positioned at the outer corner, extending outward into a soft wing shape and lightly carried along the outer portion of the lower lash line to connect the look. Blending remains controlled and seamless, shaping an elongated eye while keeping edges refined rather than sharply graphic.
5
Eyeshadow is applied to create a rounded, enclosed eye shape with emphasis on both upper and lower areas. Color 1 is placed across the mobile eyelid, extending slightly above the crease and continuing along the lower lash line to frame the eye in a cohesive way. Color 2 is positioned above the crease, diffused outward and upward to soften the transition toward the brow area without forming a sharp edge. The blending is smooth and continuous, resulting in a softly sculpted eye shape with even distribution and no graphic angles.
6
Eyeshadow is applied with a smooth, elongated structure that follows the natural eye line. Color 1 is placed across the mobile eyelid from the inner area through the center, sitting close to the lash line and gently extending toward the outer corner. The same color is softly carried along the lower lash line blending with the Color. Edges kept soft to maintain a clean, defined eye shape without sharp or graphic extensions.
7
Eyeshadow is applied in a halo-style placement that fully surrounds the eye area. Color 1 forms a continuous band around the eye, extending from the upper lid above the crease and wrapping beneath the lower lash line to create a rounded, mask-like shape that follows the orbital bone. Color 2 is placed on the mobile eyelid closer to the lash line and concentrated toward the outer portion, adding depth within the enclosed shape. Blending is soft but clearly structured, emphasizing a bold, rounded eye contour rather than an elongated or winged form.
8
Eyeshadow is applied with a dramatic, editorial placement that extends beyond the eye area into the surrounding skin. Color 1 is placed across the mobile eyelid and softly blended above the crease, forming the base eye shape. Color 2 appears as elongated vertical accents starting above the outer portion of the eye area and extending upward toward the brow, as well as downward from the lower outer eye toward the cheek, creating a striking, downward and upward pull. The placement emphasizes vertical movement rather than elongation along the lash line, resulting in a bold, expressive structure with intentionally exposed skin between elements.
eyelinerVariationint

Variation of the eyeliner shape:

10 values
0
No eyeliner at all
1
Eyeliner is applied close to the upper lash line, starting thin near the inner eye area and gradually increasing in thickness as it moves outward. The line follows the natural curve of the eye and extends past the outer corner into a clean, upward-angled wing. The wing is narrow and sharp, positioned slightly above the natural lash line direction to create a lifted effect. The inner portion remains minimal and precise, while the outer extension defines an elongated, almond-shaped eye without adding bulk to the lid.
2
Eyeliner is applied in a sleek, minimal winged shape that closely hugs the upper lash line. The line begins very thin near the inner eye area and maintains a fine, even thickness as it follows the natural eye contour. At the outer corner, it extends slightly outward into a short, refined wing that aligns with the natural upward angle of the eye. The overall placement is clean and controlled, enhancing eye definition while preserving a soft, understated lift rather than a dramatic or graphic effect.
3
Eyeliner is applied with a graphic, floating-style shape that sits slightly above the upper lash line rather than directly hugging it. The line starts near the inner eye area and follows the natural eye contour while remaining separated from the lashes, creating visible space on the lid. Toward the outer corner, the liner extends into a smooth, upward-curving wing that stretches past the eye without increasing thickness. The overall effect emphasizes an elongated, lifted outline with a clean, illustrative quality rather than a traditional lash-line definition.
4
Eyeliner is applied with emphasis on both the inner and outer corners of the eye. A fine line follows the upper lash line and extends outward into a narrow, upward-angled wing that elongates the eye shape. At the inner corner, the liner is drawn into a pointed, tapered extension that slightly extends inward, creating a sharp inner tip. The overall shape is sleek and continuous, forming a refined, almond-like outline with clean, precise edges and balanced extensions on both ends.
5
Eyeliner is applied in a bold, sculpted winged shape that thickens noticeably toward the outer eye. The line begins close to the upper lash line near the inner area and gradually gains width as it moves outward. At the outer corner, the liner extends into a pronounced, upward-angled wing with a smooth, curved edge that creates a lifted and dramatic silhouette. The inner portion remains relatively clean and controlled, while the outer half carries most of the visual weight, emphasizing an elongated and confident eye shape.
6
Eyeliner is applied in a fully outlined, graphic shape that frames the entire eye. A fine line traces the upper lash line and extends outward into a sharp, elongated wing with a slightly upward angle. A corresponding line defines the lower eye contour, starting near the inner corner and extending outward to meet the upper wing, creating a continuous, enclosed outline. The inner corner is sharply pointed, forming a precise triangular tip. The overall shape is angular and illustrative, emphasizing a bold, cat-eye structure with clear separation from the natural lash lines. Great option for anime makeup
7
Eyeliner is applied in a soft winged shape with moderate thickness focused on the outer portion of the eye. The line follows the upper lash line closely, remaining relatively thin through the inner and central areas. Toward the outer corner, it widens slightly and extends into a smooth, upward-angled wing with a gently curved edge. The overall effect is clean and balanced, enhancing eye definition while maintaining a natural flow and a subtle lift rather than a sharply graphic finish.
8
Eyeliner is applied in a very minimal, close-to-the-lash-line style. A thin line traces the upper lash line from the inner eye area through the center, maintaining an even, delicate width. At the outer corner, the liner extends only slightly outward into a short, subtle wing that aligns with the natural eye angle. The overall shape is understated and precise, focusing on gentle definition rather than elongation or dramatic lift.
9
Eyeliner is applied in a classic winged shape that balances subtlety and lift. The line starts thin at the inner eye area and follows the upper lash line with a smooth, even stroke. As it reaches the outer corner, it gradually thickens and extends into a clean, upward-angled wing that elongates the eye without appearing heavy. The edges remain soft yet defined, creating a timeless, refined eye shape.
blushVariationint
10 values
0
No blushes at all
1
Blush is applied high on the cheek area, starting near the outer portion of the face and extending inward toward the center of the cheeks. The placement sits slightly below the eye area and follows a horizontal, softly rounded shape rather than a sharply lifted angle. The product is diffused upward toward the temples and downward toward the mid-cheek, creating a smooth, airbrushed transition into the surrounding skin. The application avoids the hollows of the cheeks, focusing instead on the fuller cheek area to create a flushed, youthful effect with soft edges and no harsh contouring lines.
2
Blush is applied broadly across the central cheek area with placement extending high under the eyes and outward toward the sides of the face. The shape is wide and softly rounded rather than lifted, covering the upper cheeks and diffusing seamlessly into the mid-cheek without concentrating on the cheekbones. The application blends gently toward the nose and slightly downward, creating a soft, cloud-like wash with blurred edges. The overall effect emphasizes fullness in the cheeks and a youthful, flushed appearance, avoiding sharp angles or sculpted contours.
3
Blush is applied in a high, centered placement across the cheeks, sitting directly under the eyes and extending horizontally toward the sides of the face. The shape is wide and diffused, with soft edges that blend seamlessly into the surrounding skin rather than following the cheekbone line. The application subtly reaches toward the bridge of the nose, creating a connected, mask-like effect across the mid-face. The overall finish is smooth and clouded, emphasizing a youthful, rounded cheek structure without lift or contour definition.
4
Blush is applied in a horizontal band across the mid-face, positioned high under the eyes and extending evenly across both cheeks and over the bridge of the nose. The shape is straight and wide rather than angled, creating a continuous strip that connects the cheeks through the center of the face. The edges are softly diffused upward toward the lower eye area and downward into the upper cheeks, with no emphasis on cheekbones or lift. The placement creates a pronounced, mask-like effect that emphasizes the central face and gives a bold, editorial, flushed appearance with smooth transitions.
5
Blush is applied high on the cheeks, directly beneath the eye area, forming a wide, softly diffused base that extends across the upper cheeks and lightly toward the bridge of the nose. Within this base, decorative heart-shaped accents are placed on each cheek, clearly defined and evenly spaced, creating a graphic overlay rather than a blended effect. The hearts sit centered on the cheek area and remain visually separate from the nose. The overall placement and use of playful, symbolic shapes strongly reference anime-inspired makeup, emphasizing a cute, expressive, and character-like aesthetic over traditional sculpting or contouring.
6
Blush is placed high on the cheeks, positioned directly beneath the eye area and centered on the fuller part of the cheeks. The shape is rounded and softly diffused, extending slightly outward toward the sides of the face without following a lifted or angled cheekbone line. The inner edges fade gently toward the nose, while the lower edges blend seamlessly into the mid-cheek, avoiding the hollows. The overall application creates a soft, clouded effect that emphasizes a youthful, doll-like fullness with smooth, blurred transitions and no contour-driven structure.
7
Blush is applied in a wide, high band across the mid-face, positioned directly beneath the eyes and extending evenly across both cheeks. The placement continues over the bridge of the nose, creating a continuous, mask-like strip that centers the focus on the middle of the face. The shape is straight and horizontal rather than angled, with soft diffusion upward toward the lower eye area and downward into the upper cheeks. The application avoids cheekbone definition and contouring, resulting in a bold, editorial flush that emphasizes the central face with smooth, blended edges.
8
Blush is applied high on the cheeks, positioned directly beneath the eye area and centered on the upper cheek surface. The placement forms distinct heart-shaped areas rather than a diffused wash, with clearly defined edges that sit away from the nose and do not connect across the bridge. Each cheek features an intentional, decorative heart shape that emphasizes the mid-face while leaving surrounding skin visible. The application avoids cheekbone lift or contouring, creating a playful, graphic effect focused on precise placement rather than blending.
9
Blush is applied high on the cheeks, directly beneath the eye area, forming a soft base placement on the upper cheek surface. On top of this base, clear decorative elements are added: a small heart shape positioned toward the outer cheek area, accompanied by three short, parallel line marks placed closer to the center of the face. These graphic details are intentionally sharp and illustrative, with minimal blending, and do not extend across the nose bridge. The overall placement and use of symbolic shapes reference anime-inspired makeup, emphasizing a playful, expressive, and character-like aesthetic rather than realism or contour-based structure.
highlighterVariationint

Variation of the highlighter shape:

7 values
0
No highlighter at all
1
Highlighter is applied in a more pronounced, centralized shape that emphasizes the front-facing planes of the face. A strong vertical highlight runs along the center of the nose bridge, wider than a minimal placement and extending higher toward the upper bridge while still stopping before the tip. On the cheeks, the highlight sits high on the cheekbones in a broader, more reflective patch that extends inward toward the mid-face rather than staying only on the outer edge. The forehead shows a soft, rounded highlight concentrated in the center, aligned with the nose highlight to create a vertical axis of light. Overall, the shape is bold and luminous, focusing on symmetry and forward projection rather than subtle, side-focused enhancement.
2
Highlighter is applied in a soft, balanced placement that enhances the natural facial structure without strong contrast. The cheekbone highlight follows the upper plane of the cheeks in a medium-length, gently diffused shape, sitting high and blending seamlessly into the surrounding skin rather than forming a sharp strip. A subtle highlight appears along the center of the nose bridge in a narrow, controlled line that stops before the tip. Light reflection is also softly visible on the center of the forehead, aligned with the nose to create a cohesive vertical flow. Overall, the shape is natural and even, designed to add dimension and healthy luminosity rather than bold emphasis.
3
Highlighter is applied in a minimal, precision-focused shape that subtly enhances facial structure. The primary placement appears along the upper cheekbones in a short, narrow strip that stays close to the outer face and does not extend toward the center. The edges are softly blended, creating a gentle sheen rather than a visible reflective patch. A very fine highlight runs along the center of the nose bridge, kept slim and controlled, stopping well before the tip. Overall, the shape is understated and natural, emphasizing light reflection on key planes without drawing attention to the product itself.
4
Highlighter is applied in a strong, forward-facing placement that emphasizes central facial planes. Bright, concentrated patches sit high on the cheekbones, positioned closer to the mid-face rather than the outer edges, creating a rounded, reflective shape on each cheek. A pronounced highlight runs down the center of the nose bridge in a wide, continuous line, extending higher toward the upper bridge and stopping before the tip. Additional light reflection appears on the center of the forehead and subtly on the chin, aligning vertically with the nose to create a cohesive axis of brightness. The overall shape is bold and symmetrical, designed to project luminosity and sculpt the face through light rather than contour.
5
Highlighter is applied in a controlled, mid-intensity placement that balances structure and softness. The cheekbone highlight sits high on the face, forming a smooth, oval-to-elongated shape that is centered slightly inward from the outer cheek rather than fully toward the temples. The edges are softly diffused, allowing the highlight to melt into the skin without sharp boundaries. A slim, straight highlight is placed along the center of the nose bridge, kept narrow and stopping before the tip. Overall, the shape emphasizes natural facial planes with visible luminosity while avoiding exaggerated width or overly central concentration.
6
Highlighter is applied in a very subtle, natural shape that closely follows the face’s structure. A soft, narrow highlight sits along the upper cheekbones, positioned slightly toward the outer face and kept short to avoid pulling focus toward the center. The edges are fully diffused, creating a gentle sheen rather than a visible reflective patch. A minimal, thin line of highlight appears along the center of the nose bridge, stopping well before the tip. Overall, the shape is understated and skin-like, enhancing natural light reflection without clearly defined highlight zones or dramatic emphasis.
frecklesVariationint

Variation of the freckles shape:

7 values
0
No freckles at all
1
Freckles are distributed across the central face with a medium-to-high density, concentrated most heavily on the bridge and tip of the nose and extending symmetrically onto the upper and mid cheeks, reaching slightly farther laterally than in a nose-only pattern. Density gradually decreases from the nose outward, but freckles remain clearly visible across the cheek area under the eyes. Individual freckles are small and very small, mostly uniform with mild size variation, round to slightly irregular, and evenly spaced without forming clusters. Freckle mask centered on the mid-face, with little to no presence on the forehead, chin, jawline, or neck.
2
Freckles are concentrated on the mid-face, with the highest density across the bridge of the nose, spreading symmetrically onto the upper cheeks beneath the eyes; density is medium overall, peaking at the nose and gradually fading laterally toward the cheeks, with minimal to no freckles on the forehead, chin, jawline, or neck. Individual freckles are small to very small, mostly uniform in size, round to slightly irregular in shape, and evenly spaced without clustering. The color is light to medium warm brown, low-contrast against fair skin, creating a soft, natural gradient pattern centered on the nose rather than sharp boundaries or heavy coverage.
3
Freckles are sparse to low-density, localized mainly on the bridge of the nose with a light, symmetrical spread onto the inner upper cheeks just below the eyes. The distribution is tightly nose-centered, fading quickly toward the outer cheeks, with no visible freckles on the forehead, lower cheeks, chin, jawline, or neck. Individual freckles are very small, fine, and evenly spaced, mostly round with soft edges and no clustering.
4
Freckles are distributed across the central face with a medium density, concentrated on the bridge of the nose and spreading symmetrically onto the upper cheeks beneath the eyes. The density is highest at the nose and gradually decreases laterally, forming a smooth, nose-centered gradient that remains clearly visible across the inner and mid-cheek areas. Individual freckles are small to very small, mostly uniform with slight natural variation, round to slightly irregular in shape, and evenly spaced without noticeable clustering. The pattern appears soft, natural, and balanced, with little to NO PRESENCE AT ALL on the forehead, lower cheeks, chin, jawline, or neck.
5
Freckles are low-density and finely distributed, concentrated primarily on the bridge of the nose with a light, symmetrical spread onto the inner upper cheeks. The pattern is tightly centered on the nose, with density dropping off quickly toward the outer cheeks and minimal coverage beyond the mid-face. Individual freckles are very small, delicate, and evenly spaced, mostly round with soft, diffuse edges and no visible clustering. Overall, the freckle pattern appears subtle, restrained, and natural, with NO PRESENCE AT ALL on the forehead, lower cheeks, chin, jawline, or neck.
6
Freckles are arranged in a stylized, non-random pattern across the upper cheeks, positioned symmetrically beneath the eyes, with minimal presence on the bridge of the nose and none on the forehead, lower cheeks, chin, jawline, or neck. The density is low to medium, with freckles placed at regular intervals rather than forming a natural gradient. Individual freckles are small and uniform, clearly HEART-SHAPED, with consistent size and spacing, creating a decorative, intentional appearance rather than an organic one. The overall pattern reads as ornamental and graphic, localized to the cheek area and visually distinct from natural freckle distributions.
lipsVariationint

Variation of lipstick shape:

10 values
0
No lipstick at all
1
Lipstick is applied with full coverage, precisely following the natural lip contour with clean, well-defined edges. The application is symmetrical across upper and lower lips, with even saturation and no visible feathering beyond the lip line. The finish appears smooth and opaque, minimizing natural lip texture and creating a uniform surface. The shape emphasizes the cupid’s bow and the central fullness of the lower lip, giving the lips a sculpted, polished appearance with a clearly intentional, stylized makeup look.
2
Lipstick is applied with full coverage, but the lip contour is heavily blurred and smudged, making the boundary between lips and surrounding skin intentionally indistinct. There is no clear lip outline; instead, pigment diffuses outward in a soft, uneven gradient, as if lightly smeared. The application remains symmetrical, but edge definition is deliberately lost, creating a hazy, airbrushed appearance. The central lip area retains stronger coverage, while the perimeter dissolves into the skin. The overall effect is soft-focus and intentionally imprecise, prioritizing blur and diffusion over shape definition or graphic clarity.
3
Lipstick is applied with high precision and full coverage, tightly following the natural lip contour with sharp, well-defined edges. The application is symmetrical, clearly outlining both the upper and lower lips, with a strong emphasis on the cupid’s bow and the outer corners. Coverage is uniform and opaque, masking natural lip texture and creating a smooth, sculpted surface. The finish appears clean and graphic, producing a bold, intentional makeup effect that is clearly separated from the surrounding skin rather than softly blended.
4
Lipstick is applied with full, opaque coverage, following a modified upper-lip contour in which the cupid’s bow is intentionally softened and partially flattened rather than emphasized. The outline remains controlled and symmetrical, but the peaks of the upper lip are visually reduced, creating a straighter, less heart-shaped upper lip line. Edges are clean but relaxed, avoiding sharp peaks. Coverage is uniform and smooth, masking natural lip texture. The overall effect is structural and restrained, designed to de-emphasize upper-lip curvature and reduce the appearance of a lifted or heart-shaped cupid’s bow, resulting in a flatter, more graphic upper lip silhouette.
5
Lipstick is applied with full opacity concentrated along the lip outline, using a slightly expanded contour that extends beyond the natural lip edges to increase perceived lip volume. The interior of the lips is less densely filled, allowing natural lip texture to remain visible, while the outline carries most of the visual weight. The application is symmetrical, with controlled shaping at the cupid’s bow and corners, but without a sharply drawn border. The overall effect relies on outline-driven volume enhancement, reading as a contour-based plumping technique rather than a fully filled or graphic lipstick application.
6
Lipstick is applied in a highly stylized, exaggerated shape that extends beyond the natural lip boundaries, most prominently at the outer corners, artificially lengthening the mouth into a forced, curved smile. The extension overrides the natural mouth expression, creating a Joker-like silhouette that appears intentionally unsettling rather than flattering. The application is symmetrical, with strong emphasis on the extended edges and upward sweep at both sides, while the central lip area remains fully filled. Coverage is fully opaque and uniform, producing a smooth, graphic surface that completely masks natural lip texture. The overall effect is deliberately artificial, expressive, and provocative, suited for horror, dark fantasy, FX, or avant-garde art styles, rather than natural or contour-following makeup.
7
Lipstick is applied with full, opaque coverage, but the filled area is intentionally reduced and inset, sitting inside the natural lip boundaries rather than tracing them. The outer lip contour remains visible, while color is concentrated toward the central portion of both lips, creating a compressed, pursed-lip ("kissed") appearance. Edges are clean but not aligned with the natural outline, and coverage is uniform within the smaller shape. The overall effect is deliberately non-anatomical, making the lips appear smaller and tighter, clearly distinct from contour-following or graphic applications.
8
Lipstick is applied primarily as a defined contour along the natural lip outline, with minimal to no fill in the central lip area. The application is symmetrical, tracing the cupid’s bow and outer lip edges while leaving the inner portions of both lips largely untouched. Edges are soft but clearly localized to the contour, creating definition without full coverage. Natural lip texture and color remain visible inside the outline. The overall effect reads as a lip contour or framing technique, rather than a filled or blended lipstick application.
9
Lipstick is applied with full, opaque coverage, following a slightly expanded lip contour that extends subtly beyond the natural lip boundaries to enhance perceived volume. The application is symmetrical, with deliberate overlining at the cupid’s bow and along the upper and lower lip edges, while maintaining smooth, controlled corners. Coverage is even and dense, creating a uniform, polished surface that largely conceals natural lip texture. The overall effect is bold and highly defined, using controlled overlining to increase fullness, reading as a deliberate beauty-enhancing, graphic application rather than a natural or softly blended finish.
upperEyelashesVariationint

Variation of upper eyelashes shape:

7 values
0
No eyelashes at all
1
Natural separated lashes (clean definition) Eyelashes are evenly spaced and well-separated, with moderate length and minimal clumping. Each lash remains individually visible, creating a clean, tidy fringe that follows the natural lash line without exaggeration. The curl is subtle and uniform, enhancing eye openness without altering eye shape. This style is ideal for a natural, everyday look, realism-focused avatars, or situations where lashes should enhance the eyes without drawing attention to themselves. Best for: natural makeup, realism, “no-makeup” looks, base presets.
2
Soft doll lashes (rounded, eye-opening effect) Eyelashes are longer and more pronounced, with increased density toward the center of the eye, creating a rounded, doll-like silhouette. Lashes remain mostly separated but appear fuller and more visible, enhancing vertical eye openness. The curl is stronger than natural, lifting the eye and softening the gaze. This style emphasizes youthful, wide-eyed appearance. Best for: doll effect, cute / youthful styles, beauty filters, anime-inspired realism.
3
Wispy volume lashes (fluttery glam) Eyelashes feature varying lengths with intentional irregularity, creating a wispy, airy texture. Some lashes extend noticeably longer than others, producing a fluttery, dynamic edge rather than a uniform line. Separation is preserved, but density is higher than natural. The effect feels soft-glam and feminine, without looking heavy or rigid. Best for: beauty glam, romantic looks, editorial beauty without harsh drama.
4
Heavy glam lashes (dense and dramatic) Eyelashes are very dense and thick, with minimal spacing between individual lashes, forming a bold, continuous lash curtain. Length is extended across the entire lash line, and separation is secondary to overall impact. The result is a strong, high-contrast eye frame that dominates the upper face. Best for: dramatic makeup, stage / editorial looks, high-impact beauty, fashion visuals.
5
Spiky / clumped lashes (stylized, edgy) Eyelashes are grouped into distinct spikes or clusters, with visible gaps between them, creating a clumped, graphic pattern rather than natural separation. The structure feels intentional and stylized, not accidental. This breaks realism and introduces an edgy, fashion-forward or slightly chaotic aesthetic. Best for: editorial fashion, edgy styles, stylized avatars, experimental or punk-inspired looks.
6
Minimal lashes / bare enhancement (subtle framing) Eyelashes are short, sparse, and lightly defined, closely following the natural lash line with minimal curl and volume. Individual lashes are visible but understated, providing only slight eye framing. The effect is extremely subtle, almost neutral, preserving facial softness and realism. Best for: ultra-natural looks, background characters, realism datasets, minimal or clean aesthetics.
lowerEyelashesVariationint

Variation of lower eyelashes shape:

7 values
0
No lower eyelashes at all
1
Minimal lower lashes (bare definition) Lower eyelashes are very short and sparse, with clear separation between individual lashes and no visible clumping. The lashes sit close to the lower lash line and provide only slight eye framing without drawing attention downward. The effect is extremely subtle and clean, preserving a natural lower-eye area. Best for: ultra-natural looks, realism, clean beauty, background or base presets.
2
Natural lower lashes (light separation) Lower eyelashes are short to moderate in length, evenly spaced with gentle definition. Individual lashes remain visible, creating a soft fringe that subtly frames the lower eye without heaviness. The look enhances realism while maintaining restraint. Best for: everyday makeup, realistic avatars, neutral beauty looks.
3
Defined lower lashes (mascara emphasis) Lower eyelashes are clearly defined and more noticeable, with increased length and separation compared to natural styles. The lashes are evenly distributed along the lower lash line, adding structure and contrast to the eyes without appearing dramatic. Best for: classic makeup, balanced beauty looks, enhancing eye definition.
4
Spiky lower lashes (stylized separation) Lower eyelashes are grouped into distinct spikes or small clusters, with visible gaps between them. The pattern appears intentional rather than natural, creating a graphic and stylized lower-lash effect that draws attention to the under-eye area. Best for: editorial makeup, fashion looks, stylized or artistic characters.
5
Clumped lower lashes (stuck-together / mascara clumps) Lower eyelashes appear stuck together into small clumps, with several lashes merging into thicker, uneven groups rather than forming clean spikes or remaining separated. The distribution is irregular, with some gaps and some heavier segments, giving the impression of mascara buildup or wet lashes. The structure looks messy rather than graphic, with softness at the edges instead of sharp, stylized points. This effect reduces realism but does not read as intentional fashion styling. Best for: clumped mascara effect, imperfect or messy makeup looks, casual realism errors, tired or undone aesthetics.
6
Heavy lower lashes (dramatic under-eye framing) Lower eyelashes are dense and prominent, forming a strong visual line beneath the eyes. Separation is reduced in favor of overall impact, producing a bold, high-contrast lower-eye frame that significantly alters eye balance. Best for: dramatic makeup, editorial or stage looks, high-impact fashion visuals.
browsfloat

Brows intensity, ranging from 0 to 1, where 0 means no brows overlay at all and 1 means maximum intensity.

lipsGlossfloat

Lips Gloss intensity, ranging from 0 to 1, where 0 means no lips gloss at all and 1 means maximum intensity.

frecklesColorvec4

Color of freckles

highlighterColorvec4

Color of the highlighter

blushColorvec4

blush color

eyeshadowColor1vec4

First eyeshadow color

eyeshadowColor2vec4

Second eyeshadow color

eyelinerColorvec4

Eyeliner color

lipsColorvec4

Lipstick color

upperEyelashesColorvec4

Color of the upper eyelashes

lowerEyelashesColorvec4

Color of the lower eyelashes